Tuesday 20 September 2011

WIG? - Object.

Ukulele: Famous Ukulele players.


George Formby.

Formby was born at 3 Westminster Street, Wigan, Lancashire, as George Hoy Booth, the eldest of seven surviving children (four girls and three boys). Formby was born blind due to an obstructive caul; his sight was restored during a violent coughing fit or sneeze when he was a few months old. His father James Booth, who also used the stage name George Formby, adopted from the town of Formby, Lancashire, and was one of the great music hall comedians of his day, fully the equal of his son's later success. His father, not wishing him to watch his performances, moved the family to Atherton Road in Hindley, and it was from there that Formby was apprenticed as a jockey when he was seven and rode his first professional race aged ten when he weighed under 4 stone (56 lb; 25 kg).
The family then moved to Stockton Heath, Warrington on a property on London Road. It was from there that the young Formby embarked on his career as an entertainer.
Three months after the death of his father in 1921, Formby abandoned his career as a jockey and started his own music-hall career using his father's material. He originally called himself George Hoy (the name of his maternal grandfather, who originally came from Newmarket, Suffolk, a town known for horseracing, where the family were involved in racehorse training). In 1924 he married dancer Beryl Ingham, who managed his career (and it is said his personal life to an intolerable degree—see biographies below) until her death in 1960. He allegedly took up the ukulele as a hobby; he first played it on stage for a bet.
Formby endeared himself to his audiences with his cheeky Lancashire humour and folksy north of England persona. In film and on stage, he generally adopted the character of an honest, good-hearted but accident-prone innocent who used the phrases: "It's turned out nice again!" as an opening line; "Ooh, mother!" when escaping from trouble; and a timid "Never touched me!" after losing a fistfight.
What made him stand out, however, was his unique and often mimicked musical style. He sang comic songs, full of double entendre, to his own accompaniment on the banjolele, for which he developed a catchy musical syncopated style that became his trademark. His best-known song, "Leaning on a Lamp Post" was written by Noel Gay. He recorded two more Noel Gay songs, "The Left-Hand Side of Egypt" and "Who Are You A-Shoving Of?" Over two hundred of the songs he performed, many of which were recorded, were written by Fred Cliff and Harry Gifford, either in collaboration or separately, and Formby was included in the credits of a number of them, including "When I'm Cleaning Windows". Some of his songs were considered too rude for broadcasting. His 1937 song, "With my little stick of Blackpool Rock" was banned by the BBC because of the suggestive lyrics. Formby's songs are rife with sly humour, as in 1932's "Chinese Laundry Blues," where Formby is about to sing "ladies' knickers" and suddenly changes it to "ladies' blouses"; and in 1940's "On the Wigan Boat Express," in which a lady passenger "was feeling shocks in her signal box." Formby's cheerful, innocent demeanour and nasal, high-pitched Lancashire accent neutralised the shock value of the lyrics; a more aggressive comedian like Max Miller would have delivered the same lyrics with a bawdy leer.
George Formby had been making gramophone records as early as 1926; his first successful records came in 1932 with the Jack Hylton Band, and his first sound film Boots! Boots! in 1934 (Formby had appeared in a sole silent film in 1915). The film was successful and he signed a contract to make a further 11 with Associated Talking Pictures, earning him a then-astronomical income of £100,000 (roughly USD 4 million in 2009 terms) per year. Between 1934 and 1945 Formby was the top comedian in British cinema, and at the height of his movie popularity (1939, when he was Britain's number-one film star of all genres), his film Let George Do It was exported to America. Although his films always did well in Britain and Canada, they never caught on in the United States. Columbia Pictures hired him for a series, with a handsome contract worth £500,000, but did not circulate his films in the US.
Formby appeared in the 1937 Royal Variety Performance, and entertained troops with Entertainments National Service Association (ENSA) in Europe and North Africa during World War II. He received an OBE in 1946. His most popular film, still regarded as probably his best, is the espionage comedy Let George Do It, in which he is a member of a concert party, takes the wrong ship by mistake during a blackout, and finds himself in Norway (mistaking Bergen for Blackpool) as a secret agent. In one dream sequence he punches Hitler on the nose and addresses him as a "windbag".
Formby suffered his first heart attack in 1952. His wife Beryl died of leukaemia on 24 December 1960. He planned to marry Pat Howson, a 36-year-old schoolteacher, in the spring of 1961, but suffered a second heart attack and died in hospital on 6 March 1961. His funeral was held in St. Charles' Church in Aigburth, Liverpool. An estimated 100,000 mourners lined the route as his coffin was driven to Warrington Cemetery, where he was buried in the Booth family grave. Pat Howson was well provided for in Formby's will, but died in 1971 after a long legal battle with Formby's family who contested the will.
For many years Fred Knight was Formby's chauffeur, driving him to the studios and music halls across the country. At that time Formby had a prestigious Lanchester car.




George Formby is a perfect example of why ukuleles are good because he used his to write such memorable and entertaining songs that would bring joy and humour to the masses in times of the great depression that preceded World War II.



Israel Kamakawiwo'ole


He became famous outside Hawaii when his album Facing Future was released in 1993. His medley of "Over the Rainbow" and "What a Wonderful World" was subsequently featured in several films, television programs, and commercials.
Through his ukulele playing and incorporation of other genres (such as jazz and reggae), Kamakawiwoʻole remains one of the major influences in Hawaiian music.

Kamakawiwoʻole formed the musical group Makaha Sons of Niʻihau with brother Skippy plus Louis "Moon" Kauakahi, Sam Gray and Jerome Koko. They recorded No Kristo in 1976 and released four more albums, including Kahea O Keale, Keala, Makaha Sons Of Niʻihau and Mahalo Ke Akua, before Skippy died of a heart attack in 1982. The group became Hawaii's most popular traditional group with breakout albums 1984's Puana Hou Me Ke Aloha and its follow-up, 1986's Hoʻola. Kamakawiwoʻole's last recorded album with the group was 1991's Hoʻoluana. It remains the group's top-selling CD.
In 1990, Kamakawiwoʻole released his first solo album Ka ʻAnoʻi, which won awards for Contemporary Album of the Year and Male Vocalist of the Year from the Hawaiʻi Academy of Recording Arts (HARA). Facing Future was released in 1993 by The Mountain Apple Company. It featured his most popular song, the medley "Somewhere Over the Rainbow/What a Wonderful World", along with "Hawaiʻi 78", "White Sandy Beach of Hawaiʻi", "Maui Hawaiian Sup'pa Man", and "Kaulana Kawaihae". Facing Futuredebuted at #25 on Billboard magazine's Top Pop Catalogue chart. On October 26, 2005, Facing Future became Hawaii's first certified platinum album, selling more than a million CDs in the United States, according to figures furnished by the Recording Industry Association of America. On July 21, 2006, BBC Radio 1 announced that "Somewhere Over the Rainbow/What a Wonderful World(True Dreams)" would be released as a single in America.
In 1994, Kamakawiwoʻole was voted favorite entertainer of the year by the Hawaiʻi Academy of Recording Arts (HARA).
E Ala E (1995) featured the political title song "ʻE Ala ʻE" and "Kaleohano", and N Dis Life (1996) featured "In This Life" and "Starting All Over Again".
Kamakawiwoʻole was known for promoting Hawaiian rights and Hawaiian independence, both through his lyrics, which often stated the case for independence directly, and his life.
In 1997, Kamakawiwoʻole was again honored by HARA at the Annual Nā Hōkū Hanohano awards for Male Vocalist of the Year, Favorite Entertainer of the Year, Album of the Year, and Island Contemporary Album of the Year. He watched the awards ceremony from a hospital room.
Alone in Iz World (2001) debuted at #1 on Billboard's World Chart and #135 on Billboard's Top 200, #13 on the Top Independent Albums Chart, and #15 on the Top Internet Album Sales charts.


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